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Mostrando entradas con la etiqueta symbolic. Mostrar todas las entradas

سيد درويش طقطوقة سيبوني ياناس في حالي - صباح فخري






Abul-Qacem Echebbi

Aboul-Qacem Echebbi (Arabic: أبو القاسم الشابيAbū al-Qāsim ash-Shābbī) (24 February 1909 - 9 October 1934) was a Tunisian poet. He is probably best known for writing the final two verses of the current National Anthem of Tunisia, Humat al-Hima (Defenders of the Homeland), that was written originally by the Egyptian poet Mustafa Sadik el-Rafii.
Echebbi was born in Tozeur, Tunisia, on 24 February 1909, the son of a judge. He obtained his attatoui diploma in 1928. In 1930, he obtained a law diploma from the University of Ez-Zitouna. The same year, he married and subsequently had two sons, Mohamed Sadok, who became a colonel in the Tunisian army, and Jelal, who later became an engineer.
He was very interested in modern literature, in particular, translated romantic literature, as well as old Arab literature. His poetic talent manifested itself at an early age and this poetry covered numerous topics, from the description of nature to patriotism. His poems appeared in the most prestigious Tunisian and Middle-Eastern reviews. His poem To the tyrants of the world became a popular slogan chant during the 2011 Tunisian and subsequently Egyptian demonstrations.[1]
Echebbi died on 9 October 1934 at the Habib-Thameur Hospital in Tunis, Tunisia following a long history of cardiac disorders. His portrait is on the current 30 DT note.

Tomorrow we will be deported - Chronic of a refugee

2011, African Diaspora in Europe lost any hope for the future. Democracy rising in Tunisia, Egypt & Libya were strongly crushed by new dictatorial putsch in 2012. Those totalitarian movements were aplenty funded by European Governments for exploited safely new supplies of oil under control. Asylum seeker status declared a crime in 2013 after Schengen reforms. The following year, European governments started rising fences all around Mediterranean shores which increase drowned death of 110%. New internal borders were been created only for control refugees and migrant activity. In 2015, extreme right political parties have the majority in European national governments & start a massive deportation of non European people. Immigrants & refugees were excluded in suburbs ghettos and submitted id controls each 3 month. Mixed-wedding was prohibited & children of undocumented aliens can't have access to basic education. School administration & teachers report all suspicious pupil detected. Religious tolerance was banned and Muslim communities under apartheid. What will be the next ?

MIGRANTAS | A VISUAL LANGUAGE OF MIGRATION

Working with public urban spaces as its platform, migrantas aims to make visible the thoughts and feelings of those who Working with public urban spaces as its platform, migrantas aims to make visible the thoughts and feelings of those who have left their own country and now live in a new one. Mobility, migration and transculturality are not the exception in our world, but are instead becoming the rule. Nevertheless, migrant women and their experiences remain often invisible to the majority of our society. Migrantas works with issues of migration, identity and intercultural dialogue. Their work incorporates tools from the visual arts, graphic design and social sciences. Members of the collective (Marula Di Como, Florencia Young, Alejandra López, Irma Leinauer), mostly women who have themselves immigrated to Germany, develop the projects with other migrant women in a horizontal dialogue.

Migrantas meets with migrant women in their own collective spaces, organizations, community centers, cultural groups and organizes workshops to reflect together on issues of migration. Workshops are about visual expression of one’s own story. Women from very different national, cultural and social backgrounds, also with different residency statuses, exchange their experiences and express these in simple drawings.From drawing to pictogram and after a careful analysis of all the drawings from different workshops, migrantas calls key elements and common themes from the drawings and translates these central motifs visually and artistically into pictograms, a visual language and a language accessible to everyone.

Pictograms reflect implicity and strength of expression, they are the visual language of migrantas. Their simple, universally understandable images stir emotions: people from different backgrounds recognize themselves in the representations, while others gain new insights or modify their own perspectives. The results are better recognition and visibility.All migrantas projects end with an exhibition. The participants now see their drawings presented in public and experience public recognition of their voices and social participation. Visitors to the exhibition receive an opportunity to become better acquainted with the experiences of migrant women. Urban actions: Being a part of the city landscape One of migrantas’ major goals is to make the pictograms visible in public urban spaces.



















They appear as posters where there is normally advertising, as projected digital animations on public screens, as flyers or postcards or shopping bags. Migrant womens’ perspectives and lived realities are taken out of the individual private space and made visible in the public space, thus creating an encounter which triggers reactions and self-reflection in the passerby.

http://www.migrantas.org

Border Art - Paseo de la humanidad

This sculpture mounted on the wall is supposed to depict the 2 sides of the border, the people moving across it and what they bring with them. The highly symbolic figures are based on ancient mesoamerican pictograms where people are depicted with icons floating above their heads to indicate who they are.

this art is by Alberto Morackis and Guadalupe Serrano.

Nogales Border Wall - 7

This installation was oriented towards the deaths of migrants in the desert and the humanity of the migration phenomenon. In this piece, the figures are depicted by images from the borderlands. Fruits, vegetables, bombs, the Statue of Liberty, and household appliances all help to build the images of other figures as they represent society on the border.

Wall Mural in Nogales

These giants were constructed from post-industrial maquiladora material, an aspect of their identity that complicates their interpretation. Are they pushing the wall down? Are they holding the wall up? Who are they?

Wall Mural in Nogales

Trailer - Mediterranea, Shared & Divided - Photography



Mediterranea - Shared & Divided is visual art project about in the Mediterranean area. The interdisciplinary project explore photography, mixed-media and installation for create contemporary pictures of mediterranean area. Between Sarajevo, Tunisia, Istanbul and Cairo we promote a dialogue among communities sharing commons backgrounds. In a actual fragmentation of Mediterranean area due of an hard european migration politic, artists propose new visual artworks for contribute to pluralism, diversity and multiculturalism dialogue.

www.ziadzitoun.com

Pictogram - Complete Catalog online !!!

A new publication about pictogram works. The complete catalog of srceen printing.


"European borders / African misery", screen printing, 2011, 30 x 40 cm

A theme about North African revolution and European borders. With a process of pictogram as simple visual arts elements, Ziad Zitoun create aesthetic of contemporary realities of African deportation due of a hard European migrant politic.
Thematics of inspiration revolves around rights of migrants, trans-borders movements & refugee Asylum. Ziad Zitoun gives thoughts on the South-North relations and be testimonies of persons who live without dignity, without fundamental rights (health, work, education). The author studies related social problems and it transcribe it in contemporary art domain for create aesthetic of migration.

http://www.ziadzitoun.com/